media, as opposed to just copying the file structure of the files on the media?
Originally asked on the Digital Curation Google Group.
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There are two less-obvious reasons for creating disk images as part of a curation process:
1. It can be useful to create disk images/capture the whole content of the disk when you are not sure what type of disk you have (e.g. how many tracks, what sector size, etc).
Using devices like the kryoflux you can make a set of "stream" files that capture the magnetic flux of a disk. You can then run tools over the stream files to try to identify what type of disk it was and process the stream files into a disk image from which you can then extract the files, or process the stream directly and extract the files from it.
2. It can also be useful to create disk images when you don't have time to process the individual files on the disks. As Trevor says in the other current answer to this question, by making a disk image you can (at least) stabilize the bits and ensure that there is no further data loss due to degradation of the media. Archival workflows might be a good example of where this could be a pragmatic approach (i.e. workflows in which volume is a significant factor).